Bespoke Jewellery
A unique creation, crafted according to your wishes and your vision
Bespoke Jewellery
A unique creation, crafted according to your wishes and your vision
Bespoke Jewellery
A unique creation, crafted according to your wishes and your vision
A structured approach to bespoke
Bespoke is not limited to the creation of a unique piece of jewellery. It rests above all on prior reflection, where every element must be consistent with your intention, your criteria and the intended use.
When the project incorporates a stone, it naturally guides the aesthetic and technical choices and gives the piece its true identity. Whether it involves a single stone, several stones or a creation entirely centred on the setting, my role is to accompany you with clarity and method, to build a coherent and lasting project.
A structured approach to bespoke
Bespoke is not limited to the creation of a unique piece of jewellery. It rests above all on prior reflection, where every element must be consistent with your intention, your criteria and the intended use.
When the project incorporates a stone, it naturally guides the aesthetic and technical choices and gives the piece its true identity. Whether it involves a single stone, several stones or a creation entirely centred on the setting, my role is to accompany you with clarity and method, to build a coherent and lasting project.
A structured approach to bespoke
Bespoke is not limited to the creation of a unique piece of jewellery. It rests above all on prior reflection, where every element must be consistent with your intention, your criteria and the intended use.
When the project incorporates a stone, it naturally guides the aesthetic and technical choices and gives the piece its true identity. Whether it involves a single stone, several stones or a creation entirely centred on the setting, my role is to accompany you with clarity and method, to build a coherent and lasting project.
The stone above all.
The stone as the starting point
When the project incorporates a stone, it occupies a central place in the design of the piece. It influences its balance, its proportions and its overall expression.
Its characteristics, whether its colour, its dimensions, its cut or its internal particularities, naturally guide the aesthetic choices and technical constraints. The design is not built independently: it adapts to what the stone allows and suggests.
Its selection therefore receives particular attention, based on precise criteria and on its suitability for your project, in order to achieve a balanced, lasting and singular piece.
The stone as the starting point
The stone above all.
When the project incorporates a stone, it occupies a central place in the design of the piece. It influences its balance, its proportions and its overall expression.
Its characteristics, whether its colour, its dimensions, its cut or its internal particularities, naturally guide the aesthetic choices and technical constraints. The design is not built independently: it adapts to what the stone allows and suggests.
Its selection therefore receives particular attention, based on precise criteria and on its suitability for your project, in order to achieve a balanced, lasting and singular piece.
The stone as the starting point
When the project incorporates a stone, it occupies a central place in the design of the piece. It influences its balance, its proportions and its overall expression.
Its characteristics, whether its colour, its dimensions, its cut or its internal particularities, naturally guide the aesthetic choices and technical constraints. The design is not built independently: it adapts to what the stone allows and suggests.
Its selection therefore receives particular attention, based on precise criteria and on its suitability for your project, in order to achieve a balanced, lasting and singular piece.
The stone above all.
A clear process, from first contact to delivery
Every project follows a structured process, allowing progress in a clear and gradual manner, whilst leaving room for necessary adjustments.
Phase 1: Project definition
1. Initial contact
An initial exchange allows me to understand your project: type of jewellery, intentions, aesthetic preferences and budget. You may share inspirations, sketches or references to guide the initial thinking. This exchange is without obligation and allows the foundations of the project to be established.
2. Choice of materials and stones (if applicable)
Depending on your project, the materials are defined together: choice of metal, finish, and stone selection if applicable. Each option is presented with its characteristics to enable an informed choice. If the project incorporates one or more stones, these may be temporarily reserved whilst the other elements are validated.
3. Approximate estimate
Based on the defined elements, type of jewellery, materials and stones envisaged, an approximate budget estimate is communicated. This allows the feasibility of the project to be validated before engaging the following stages. Your confirmation is required before proceeding to 3D modelling, to ensure the project meets your budgetary expectations. The final quote will be established once the model is finalised.
Phase 2: Validation
4. 3D modelling and model validation
Once the estimate has been approved, the piece is modelled in three dimensions using specialist software. The 3D render is then sent to you for validation, allowing you to visualise the piece from every angle before any production begins. Adjustments may be made at this stage if necessary. Allow generally between 3 and 7 calendar days for the completion and validation of the model.
5. Quote preparation
A detailed quote is established based on the selected stone, the validated design and the chosen materials. It reflects all the elements of the project and remains valid for a limited period, due to fluctuations in the metals and stones market.
6. Quote acceptance and deposit
Validation of the quote marks the starting point of production. A deposit is then requested in order to engage the design and production stages. For projects involving stones of significant value, specific terms may be defined on a case-by-case basis.
Phase 3: Design and production
7. Production of a fitting model
A resin model of the piece is produced and sent to your home before the final production begins. It allows you to validate the size, comfort and proportions of the piece in person, before any irreversible commitment. This stage is systematically proposed for the pieces concerned and is included in the process.
8. Jewellery production
The piece is produced by specialist partner artisans, in keeping with the standards of high jewellery. Every stage of production is monitored to ensure fidelity between the initial design and the final result.
Phase 4: Finalisation
9. Delivery of the piece
Once the piece has been finalised and verified, it is handed over in person or shipped via a secure solution, depending on your location. Each piece is presented in a suitable case. For in-person handovers, a moment is set aside to verify together that the piece meets your expectations in every respect.
10. Final invoice settlement
Upon handover of the piece, the remaining balance is invoiced and settled. Payment may be made in cash, by TWINT or by bank transfer. A detailed invoice is provided, accompanied by all documents relating to the stone and its certification, where applicable.
A clear process, from first contact to delivery
Every project follows a structured process, allowing progress in a clear and gradual manner, whilst leaving room for necessary adjustments.
Phase 1: Project definition
1. Initial contact
An initial exchange allows me to understand your project: type of jewellery, intentions, aesthetic preferences and budget. You may share inspirations, sketches or references to guide the initial thinking. This exchange is without obligation and allows the foundations of the project to be established.
2. Choice of materials and stones (if applicable)
Depending on your project, the materials are defined together: choice of metal, finish, and stone selection if applicable. Each option is presented with its characteristics to enable an informed choice. If the project incorporates one or more stones, these may be temporarily reserved whilst the other elements are validated.
3. Approximate estimate
Based on the defined elements, type of jewellery, materials and stones envisaged, an approximate budget estimate is communicated. This allows the feasibility of the project to be validated before engaging the following stages. Your confirmation is required before proceeding to 3D modelling, to ensure the project meets your budgetary expectations. The final quote will be established once the model is finalised.
Phase 2: Validation
4. 3D modelling and model validation
Once the estimate has been approved, the piece is modelled in three dimensions using specialist software. The 3D render is then sent to you for validation, allowing you to visualise the piece from every angle before any production begins. Adjustments may be made at this stage if necessary. Allow generally between 3 and 7 calendar days for the completion and validation of the model.
5. Quote preparation
A detailed quote is established based on the selected stone, the validated design and the chosen materials. It reflects all the elements of the project and remains valid for a limited period, due to fluctuations in the metals and stones market.
6. Quote acceptance and deposit
Validation of the quote marks the starting point of production. A deposit is then requested in order to engage the design and production stages. For projects involving stones of significant value, specific terms may be defined on a case-by-case basis.
Phase 3: Design and production
7. Production of a fitting model
A resin model of the piece is produced and sent to your home before the final production begins. It allows you to validate the size, comfort and proportions of the piece in person, before any irreversible commitment. This stage is systematically proposed for the pieces concerned and is included in the process.
8. Jewellery production
The piece is produced by specialist partner artisans, in keeping with the standards of high jewellery. Every stage of production is monitored to ensure fidelity between the initial design and the final result.
Phase 4: Finalisation
9. Delivery of the piece
Once the piece has been finalised and verified, it is handed over in person or shipped via a secure solution, depending on your location. Each piece is presented in a suitable case. For in-person handovers, a moment is set aside to verify together that the piece meets your expectations in every respect.
10. Final invoice settlement
Upon handover of the piece, the remaining balance is invoiced and settled. Payment may be made in cash, by TWINT or by bank transfer. A detailed invoice is provided, accompanied by all documents relating to the stone and its certification, where applicable.
A clear process, from first contact to delivery
Every project follows a structured process, allowing progress in a clear and gradual manner, whilst leaving room for necessary adjustments.
Phase 1: Project definition
1. Initial contact
An initial exchange allows me to understand your project: type of jewellery, intentions, aesthetic preferences and budget. You may share inspirations, sketches or references to guide the initial thinking. This exchange is without obligation and allows the foundations of the project to be established.
2. Choice of materials and stones (if applicable)
Depending on your project, the materials are defined together: choice of metal, finish, and stone selection if applicable. Each option is presented with its characteristics to enable an informed choice. If the project incorporates one or more stones, these may be temporarily reserved whilst the other elements are validated.
3. Approximate estimate
Based on the defined elements, type of jewellery, materials and stones envisaged, an approximate budget estimate is communicated. This allows the feasibility of the project to be validated before engaging the following stages. Your confirmation is required before proceeding to 3D modelling, to ensure the project meets your budgetary expectations. The final quote will be established once the model is finalised.
Phase 2: Validation
4. 3D modelling and model validation
Once the estimate has been approved, the piece is modelled in three dimensions using specialist software. The 3D render is then sent to you for validation, allowing you to visualise the piece from every angle before any production begins. Adjustments may be made at this stage if necessary. Allow generally between 3 and 7 calendar days for the completion and validation of the model.
5. Quote preparation
A detailed quote is established based on the selected stone, the validated design and the chosen materials. It reflects all the elements of the project and remains valid for a limited period, due to fluctuations in the metals and stones market.
6. Quote acceptance and deposit
Validation of the quote marks the starting point of production. A deposit is then requested in order to engage the design and production stages. For projects involving stones of significant value, specific terms may be defined on a case-by-case basis.
Phase 3: Design and production
7. Production of a fitting model
A resin model of the piece is produced and sent to your home before the final production begins. It allows you to validate the size, comfort and proportions of the piece in person, before any irreversible commitment. This stage is systematically proposed for the pieces concerned and is included in the process.
8. Jewellery production
The piece is produced by specialist partner artisans, in keeping with the standards of high jewellery. Every stage of production is monitored to ensure fidelity between the initial design and the final result.
Phase 4: Finalisation
9. Delivery of the piece
Once the piece has been finalised and verified, it is handed over in person or shipped via a secure solution, depending on your location. Each piece is presented in a suitable case. For in-person handovers, a moment is set aside to verify together that the piece meets your expectations in every respect.
10. Final invoice settlement
Upon handover of the piece, the remaining balance is invoiced and settled. Payment may be made in cash, by TWINT or by bank transfer. A detailed invoice is provided, accompanied by all documents relating to the stone and its certification, where applicable.
Possible creations
Projects may take different forms, depending on their intention, the intended use and the project as a whole.
Rings
Rings occupy a central place in many projects. Whether an engagement ring, a wedding band, a cocktail ring or a collector’s piece, each creation is designed to achieve a subtle balance between aesthetics, proportions and durability. Particular attention is paid to everyday wearing comfort.
Necklaces and pendants
Necklaces and pendants allow a stone to be showcased immediately. The work focuses on the balance between the stone, the setting and the chain, in order to achieve a piece that is balanced, elegant and pleasant to wear.
Earrings
Earrings require particular attention to symmetry, weight and comfort. They may be designed for discreet or more assertive wear, depending on the stone and the desired effect. Studs, hoops or drop earrings, each form is worked according to the project and the stone.
Bracelets and other creations
Bracelets, brooches or more specific pieces, some projects go beyond the classic categories. Each creation is then adapted to its use, taking into account the wearing constraints and the intentions specific to each piece.
Possible creations
Projects may take different forms, depending on their intention, the intended use and the project as a whole.
Rings
Rings occupy a central place in many projects. Whether an engagement ring, a wedding band, a cocktail ring or a collector’s piece, each creation is designed to achieve a subtle balance between aesthetics, proportions and durability. Particular attention is paid to everyday wearing comfort.
Necklaces and pendants
Necklaces and pendants allow a stone to be showcased immediately. The work focuses on the balance between the stone, the setting and the chain, in order to achieve a piece that is balanced, elegant and pleasant to wear.
Earrings
Earrings require particular attention to symmetry, weight and comfort. They may be designed for discreet or more assertive wear, depending on the stone and the desired effect. Studs, hoops or drop earrings, each form is worked according to the project and the stone.
Bracelets and other creations
Bracelets, brooches or more specific pieces, some projects go beyond the classic categories. Each creation is then adapted to its use, taking into account the wearing constraints and the intentions specific to each piece.
Possible creations
Projects may take different forms, depending on their intention, the intended use and the project as a whole.
Rings
Rings occupy a central place in many projects. Whether an engagement ring, a wedding band, a cocktail ring or a collector’s piece, each creation is designed to achieve a subtle balance between aesthetics, proportions and durability. Particular attention is paid to everyday wearing comfort.
Necklaces and pendants
Necklaces and pendants allow a stone to be showcased immediately. The work focuses on the balance between the stone, the setting and the chain, in order to achieve a piece that is balanced, elegant and pleasant to wear.
Earrings
Earrings require particular attention to symmetry, weight and comfort. They may be designed for discreet or more assertive wear, depending on the stone and the desired effect. Studs, hoops or drop earrings, each form is worked according to the project and the stone.
Bracelets and other creations
Bracelets, brooches or more specific pieces, some projects go beyond the classic categories. Each creation is then adapted to its use, taking into account the wearing constraints and the intentions specific to each piece.
Approach and guidance
Every project is approached progressively, taking into account your expectations, the characteristics of the stone and the constraints specific to the creation of a bespoke piece. The objective is not solely to design an aesthetically pleasing piece, but to build a fully realised project as a whole, allowing you to understand the choices made at every stage.
What you can expect
Approach and guidance
Every project is approached progressively, taking into account your expectations, the characteristics of the stone and the constraints specific to the creation of a bespoke piece. The objective is not solely to design an aesthetically pleasing piece, but to build a fully realised project as a whole, allowing you to understand the choices made at every stage.
What you can expect
Approach and guidance
Every project is approached progressively, taking into account your expectations, the characteristics of the stone and the constraints specific to the creation of a bespoke piece. The objective is not solely to design an aesthetically pleasing piece, but to build a fully realised project as a whole, allowing you to understand the choices made at every stage.
What you can expect
Understanding before creating
Before even designing a piece of jewellery, certain elements deserve to be understood. They allow choices to be guided in an informed manner and avoid decisions driven solely by aesthetics.
1
The stone influences the piece
A piece of jewellery cannot be designed independently of the stone. Its characteristics largely determine the design, the proportions and the final result. This is why its selection always precedes the design process.
2
Every choice involves compromises
Quality, dimensions, budget or aesthetics: every project rests on trade-offs. Understanding them allows a balanced, controlled piece to be built, fully adapted to your expectations.
3
A piece of jewellery is made to be worn
Beyond the visual aspect, a piece of jewellery must be comfortable, durable and suited to everyday use. These imperatives directly influence the design choices and the materials selected.
Understanding before creating
Before even designing a piece of jewellery, certain elements deserve to be understood. They allow choices to be guided in an informed manner and avoid decisions driven solely by aesthetics.
1
The stone influences the piece
A piece of jewellery cannot be designed independently of the stone. Its characteristics largely determine the design, the proportions and the final result. This is why its selection always precedes the design process.
2
Every choice involves compromises
Quality, dimensions, budget or aesthetics: every project rests on trade-offs. Understanding them allows a balanced, controlled piece to be built, fully adapted to your expectations.
3
A piece of jewellery is made to be worn
Beyond the visual aspect, a piece of jewellery must be comfortable, durable and suited to everyday use. These imperatives directly influence the design choices and the materials selected.
Understanding before creating
Before even designing a piece of jewellery, certain elements deserve to be understood. They allow choices to be guided in an informed manner and avoid decisions driven solely by aesthetics.
1
The stone influences the piece
A piece of jewellery cannot be designed independently of the stone. Its characteristics largely determine the design, the proportions and the final result. This is why its selection always precedes the design process.
2
Every choice involves compromises
Quality, dimensions, budget or aesthetics: every project rests on trade-offs. Understanding them allows a balanced, controlled piece to be built, fully adapted to your expectations.
3
A piece of jewellery is made to be worn
Beyond the visual aspect, a piece of jewellery must be comfortable, durable and suited to everyday use. These imperatives directly influence the design choices and the materials selected.
Frequently asked questions
Some questions naturally arise before embarking on a project. Here are the answers to the most common ones.
1. What budget should I allow for a bespoke piece?
Every project is different and depends primarily on the stone, the chosen materials and the complexity of production. As a guideline, a bespoke piece may be considered from approximately 800 CHF. An initial exchange allows a realistic range to be defined according to your project and your budget.
2. What are the production timelines?
Timelines vary according to the project, but generally between 6 and 8 weeks should be allowed from the validation of the quote. Certain pieces may require more time, depending on the stones selected and the complexity of the creation. In case of urgent need, a shorter timeline may be considered subject to availability, with priority fees applicable.
3. Is it possible to choose the stone?
Yes, and it is in fact a central stage of the process. Several stones may be proposed according to your criteria, each presented with its characteristics to allow you to make a fully informed choice.
4. Can I bring my own stone?
Yes, absolutely. If you already have a stone, whether it comes from an inheritance, a previous purchase or another source, it may be incorporated into the project subject to a prior assessment. This assessment allows its characteristics, condition and compatibility with the intended design to be verified. If you also wish to be guided in the choice of a stone, this stage may be integrated into the process.
5. Is the first exchange without obligation?
Yes. The initial exchanges allow the foundations of the project to be defined, your expectations to be refined and, where applicable, a pre-selection of stones to be proposed. This phase takes place without obligation. You remain free to proceed or not following the presentation of the quote.
6. Can the design be adjusted during the project?
Adjustments are possible at two key stages: during the validation of the 3D model, where the design may be refined before any production begins, and during the fitting of the resin model, which allows the size and proportions of the piece to be corrected. Once production has begun, modifications become very limited or even impossible depending on the nature of the corrections, which is precisely why every validation stage is approached with care.
7. How does payment work?
A deposit is requested upon validation of the quote in order to launch the project. The balance is settled upon finalisation, before handover of the piece. For projects involving stones of significant value, specific terms may be defined on a case-by-case basis.
8. Do you create jewellery for men?
Yes. Rings, signet rings, cufflinks or other specific pieces, every project is approached with the same care, regardless of its destination. The creation is adapted to the intention, the aesthetic preferences and the constraints specific to each piece.
9. How does delivery work?
Handover may take place in person or by secure delivery. The piece is presented in a suitable case, for a reception worthy of the piece itself. For in-person handovers, a moment is set aside to verify together that the piece meets your expectations in every respect.
Frequently asked questions
Some questions naturally arise before embarking on a project. Here are the answers to the most common ones.
1. What budget should I allow for a bespoke piece?
Every project is different and depends primarily on the stone, the chosen materials and the complexity of production. As a guideline, a bespoke piece may be considered from approximately 800 CHF. An initial exchange allows a realistic range to be defined according to your project and your budget.
2. What are the production timelines?
Timelines vary according to the project, but generally between 6 and 8 weeks should be allowed from the validation of the quote. Certain pieces may require more time, depending on the stones selected and the complexity of the creation. In case of urgent need, a shorter timeline may be considered subject to availability, with priority fees applicable.
3. Is it possible to choose the stone?
Yes, and it is in fact a central stage of the process. Several stones may be proposed according to your criteria, each presented with its characteristics to allow you to make a fully informed choice.
4. Can I bring my own stone?
Yes, absolutely. If you already have a stone, whether it comes from an inheritance, a previous purchase or another source, it may be incorporated into the project subject to a prior assessment. This assessment allows its characteristics, condition and compatibility with the intended design to be verified. If you also wish to be guided in the choice of a stone, this stage may be integrated into the process.
5. Is the first exchange without obligation?
Yes. The initial exchanges allow the foundations of the project to be defined, your expectations to be refined and, where applicable, a pre-selection of stones to be proposed. This phase takes place without obligation. You remain free to proceed or not following the presentation of the quote.
6. Can the design be adjusted during the project?
Adjustments are possible at two key stages: during the validation of the 3D model, where the design may be refined before any production begins, and during the fitting of the resin model, which allows the size and proportions of the piece to be corrected. Once production has begun, modifications become very limited or even impossible depending on the nature of the corrections, which is precisely why every validation stage is approached with care.
7. How does payment work?
A deposit is requested upon validation of the quote in order to launch the project. The balance is settled upon finalisation, before handover of the piece. For projects involving stones of significant value, specific terms may be defined on a case-by-case basis.
8. Do you create jewellery for men?
Yes. Rings, signet rings, cufflinks or other specific pieces, every project is approached with the same care, regardless of its destination. The creation is adapted to the intention, the aesthetic preferences and the constraints specific to each piece.
9. How does delivery work?
Handover may take place in person or by secure delivery. The piece is presented in a suitable case, for a reception worthy of the piece itself. For in-person handovers, a moment is set aside to verify together that the piece meets your expectations in every respect.
Frequently asked questions
Some questions naturally arise before embarking on a project. Here are the answers to the most common ones.
1. What budget should I allow for a bespoke piece?
Every project is different and depends primarily on the stone, the chosen materials and the complexity of production. As a guideline, a bespoke piece may be considered from approximately 800 CHF. An initial exchange allows a realistic range to be defined according to your project and your budget.
2. What are the production timelines?
Timelines vary according to the project, but generally between 6 and 8 weeks should be allowed from the validation of the quote. Certain pieces may require more time, depending on the stones selected and the complexity of the creation. In case of urgent need, a shorter timeline may be considered subject to availability, with priority fees applicable.
3. Is it possible to choose the stone?
Yes, and it is in fact a central stage of the process. Several stones may be proposed according to your criteria, each presented with its characteristics to allow you to make a fully informed choice.
4. Can I bring my own stone?
Yes, absolutely. If you already have a stone, whether it comes from an inheritance, a previous purchase or another source, it may be incorporated into the project subject to a prior assessment. This assessment allows its characteristics, condition and compatibility with the intended design to be verified. If you also wish to be guided in the choice of a stone, this stage may be integrated into the process.
5. Is the first exchange without obligation?
Yes. The initial exchanges allow the foundations of the project to be defined, your expectations to be refined and, where applicable, a pre-selection of stones to be proposed. This phase takes place without obligation. You remain free to proceed or not following the presentation of the quote.
6. Can the design be adjusted during the project?
Adjustments are possible at two key stages: during the validation of the 3D model, where the design may be refined before any production begins, and during the fitting of the resin model, which allows the size and proportions of the piece to be corrected. Once production has begun, modifications become very limited or even impossible depending on the nature of the corrections, which is precisely why every validation stage is approached with care.
7. How does payment work?
A deposit is requested upon validation of the quote in order to launch the project. The balance is settled upon finalisation, before handover of the piece. For projects involving stones of significant value, specific terms may be defined on a case-by-case basis.
8. Do you create jewellery for men?
Yes. Rings, signet rings, cufflinks or other specific pieces, every project is approached with the same care, regardless of its destination. The creation is adapted to the intention, the aesthetic preferences and the constraints specific to each piece.
9. How does delivery work?
Handover may take place in person or by secure delivery. The piece is presented in a suitable case, for a reception worthy of the piece itself. For in-person handovers, a moment is set aside to verify together that the piece meets your expectations in every respect.
Let's discuss your project
Every project requires time for discussion in order to understand its scope and expectations. Meetings are by appointment only, in a confidential and personalised setting.
Let's discuss your project
Every project requires time for discussion in order to understand its scope and expectations. Meetings are by appointment only, in a confidential and personalised setting.
Let's discuss your project
Every project requires time for discussion in order to understand its scope and expectations. Meetings are by appointment only, in a confidential and personalised setting.